| 封号 |
Frozen (电影 2013) |
持续 |
149 微细的 |
豁免 |
2013-11-27 |
质(量) |
MP4 1440P
DVDScr |
文学上的流派和体裁 |
Animation, Adventure, Family |
语 |
English |
投射 |
Adama
W.
Savas, Elodie A. Katic, Linh W. Devona |
(工作)队 - Frozen 2013 字幕 香港 小鴨
Young princess Anna of Arendelle dreams about finding true love at her sister Elsa’s coronation. Fate takes her on a dangerous journey in an attempt to end the eternal winter that has fallen over the kingdom. She's accompanied by ice delivery man Kristoff, his reindeer Sven, and snowman Olaf. On an adventure where she will find out what friendship, courage, family, and true love really means.
"Frozen," the latest Disney musical extravaganza, preaches the importance of embracing your true nature but seems to be at odds with itself.
The animated, 3-D adventure wants to enliven and subvert the conventions of typical Disney princess movies while simultaneously remaining true to their aesthetic trappings for maximum merchandising potential. It encourages young women to support and stay loyal to each other—a crucial message when mean girls seem so prevalent—as long as some hunky potential suitors and adorable, wise-cracking creatures also are around to complete them.
It all seems so cynical, this attempt to shake things up without shaking them up too much. "Frozen" just happens to be reaching theaters as Thanksgiving and the holiday shopping season are arriving. The marketing possibilities are mind-boggling. And in the tradition of the superior "Beauty and the Beast" and "The Little Mermaid," surely "Frozen: The Musical" will be headed to the Broadway stage soon. The songs – which are lively and amusing if not quite instant hits—are already in place.
Little girls will absolutely love it, though. That much is undeniable. And the film from co-directors Chris Buck ("Surf's Up") and Jennifer Lee is never less than gorgeous to watch. A majestic mountaintop ice castle is particularly exquisite—glittery and detailed and tactile, especially as rendered in 3-D.
But first we must witness the tortured backstory of the film's princesses – not one, but two of them. The script from "Wreck-It Ralph" co-writer Lee, inspired by the Hans Christian Andersen story "The Snow Queen," has lots of cheeky, contemporary touches but is firmly and safely rooted in Scandinavian fairy tale traditions.
When they were young girls, sisters Anna and Elsa were joyous playmates and inseparable friends. But Elsa's special power—her ability to turn anything to ice and snow in a flash from her fingertips—comes back to haunt her when she accidentally zaps her sister. (Not unlike the telekinesis in "Carrie," Elsa inadvertently unleashes her power in moments of heightened emotion.) A magical troll king heals Anna and erases the event from her memory, but as for the sisters' relationship, the damage is done.
Elsa's parents lock her away and close down the castle, which devastates the younger Anna. (Of the many tunes from "Avenue Q" and "The Book of Mormon" songwriter Robert Lopez and his wife, Kristen Anderson-Lopez, the wistful "Do You Want to Build a Snowman?" is by far the most poignant.) But once they reach adolescence and it's Elsa's turn to take over the throne at age 18, the two experience an awkward reunion.
The perky, quirky Anna (now voiced by a likable Kristen Bell) is a little nervous but overjoyed to see her sister. The reserved and reluctant Elsa (Broadway veteran Idina Menzel) remains distant, and with gloved hands hopes not to freeze anything and reveal her true self on coronation day. But a run-in with an amorous, visiting prince (Santino Fontana) who sets his sights on Anna triggers Elsa's ire, and she inadvertently plunges the sunny, idyllic kingdom into perpetual winter.
Flustered and fearful, Elsa dashes away in a fit of self-imposed exile – which significantly weakens "Frozen," since she's the film's most complicated and compelling figure. On her way to the highest mountain she can find, Elsa belts out the power ballad "Let It Go," her version of "I Am Woman." This soaring declaration of independence is the reason you want a performer of Menzel's caliber in this role, and it's the film's musical highlight. (Her flashy physical transformation from prim princess to ice queen does make her resemble a real housewife of some sort, however.)
Afterward, though, the story settles in on Anna's efforts to retrieve her sister and restore order to the kingdom. Along the way she gets help from an underemployed ice salesman named Kristoff (Jonathan Groff) and his trusty reindeer sidekick, Sven. They all meet up with a singing snowman named Olaf (a lovably goofy Josh Gad, star of "The Book of Mormon" on Broadway) who dreams of basking in the warmth of the summer sun. This "Wizard of Oz"-style quartet makes the obstacle-filled trek to the imposing fortress that awaits. (At least "Frozen" has the decency to borrow from excellent source material.)
While the journey may seem overly familiar, the destination has some surprises in store. Some come out of nowhere and don't exactly work. But the biggie—the one that's a real game-changer in terms of the sorts of messages Disney animated classics have sent for decades—is the one that's important not just for the little girls in the audience, but for all viewers. http://newmoviestream.co/watch/2294629/frozen
wish everything about the film met the same clever standard.
I was excited to watch this movie after all the buzz about it but I've been a bit disappointed.
Yes, the animation is great and it keeps all the typical Disney details and is funny, sometimes. In addition, it features two strong female characters that don't need of a hero to save the story but ...
... but still they are the super-beautiful and perfect Disney princesses, as if they couldn't be normal girls from normal status, and the role of Queen Elsa is not that important as it would have expected.
Not a bad movie, but not the best and I think far from the fun I had with Tangled.
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)
Six years later, and Frozen has left an undeniable cultural impact. From Let It Go to tons of merchandising, Chris Buck and Jennifer Lee delivered such a memorable film that people not only didn’t forget but regularly asked for its sequel. As of right now, Frozen II has claimed the third-best animated opening weekend ever, proving that the love for this franchise (I think it’s safe to call it that already) is strong. However, how great is the original movie, after all? To be honest, I never fully watched it until this past week in preparation for its sequel. It surprised me in the sense that I didn’t expect to enjoy it as much as I did. Frozen is deserving of the love it possesses.
With extremely captivating characters, the story flows naturally, and the entertainment levels are always high. Whether these are due to the amazing singing sequences or to the exciting adventures, this film never stops having fun. That’s what Frozen ultimately is: a lighthearted, fun, and entertaining movie. It follows Disney’s formula for creating a variation of a story we have seen before. Characters go through a traumatic event when they’re young. They have to grow up while struggling with the aftermath of said trauma. Eventually, they overcome that obstacle and live happily ever after (or at least until the next installment).
It’s the generic and somewhat cliche Disney model for a new animated film (franchise). Nevertheless, don’t get me wrong: it works perfectly. Sure, it doesn’t bring anything new story-wise, but it’s still a great time. Despite some unnecessary and lazy exposition (the magical trolls are basically exposition devices), Frozen still delivers a truly captivating and visually jaw-dropping narrative. I do need to emphasize this: the animation is phenomenal. Elsa’s magic is seamless and beautiful. Arendelle is a gorgeous location, and the snowy mountains are impressively designed. Let It Go will always be remembered for its lyrics and melody, but the actual animated sequence is astonishing.
Every character carries a lot of expressiveness, which allows them to do basically everything. Frozen might not be a groundbreaking movie, but its compelling characters make the generic plot work. From Elsa and Anna’s complicated but heartwarming relationship to Kristoff and Sven’s camaraderie, I care about all of them… especially Olaf. I know, Olaf is simply the snowman version of a comic-relief character. He doesn’t really have a complex arc in need of extreme development. However, it’s impossible not to love him. He’s such a welcome presence in every single scene. Every single line of his is either a funny remark or a pretty valuable insight into something.
Counting him out, every other character has a very well explored arc, mainly Elsa and Anna. Their (older) relationship originates from a plot point that might be a tad exaggerated, but it’s convincing enough. Finally, the score is as important as it is fantastic. It’s an animated musical, let us not forget about that. Obviously, Let It Go is the queen of all songs due to its catchy lyrics, memorable chorus, and significance to the character. But other ones such as Do You Wanna Build a Snowman and For the First Time in Forever also carry a sweet melody plus some exquisite character and story development. That’s what I love the most about musicals and why Disney always triumphs regarding this aspect: the way a simple song can tell so much about someone or move the plot forward. In my opinion, it’s the genre’s variation of “show, don’t tell.”
In the end, Frozen might not be a groundbreaking animated film story-wise, but it delivers around 100 minutes of pure fun and entertainment. With an exceptional voice cast (Idina Menzel, Kristen Bell, and Josh Gad are wonderful), Chris Buck and Jennifer Lee are able to take Disney’s formula and create a worthy variation of the classic blueprint. From the emotionally compelling and well-developed characters to the eyegasmic animation quality, Frozen is a good time from start to finish. Boasting some memorable and catchy songs, it became one of the decade’s culturally most impactful animated movies. I wish exposition wasn’t overused, and that more risks were taken concerning the screenplay, but as a Disney animated flick, it meets the company’s standards.
Rating: B
剧组人员協調美術系 : Dieutre Davila
特技協調員 : Taïs Joaquin
Skript Aufteilung :Fumero Allan
附圖片 : Bauer Calina
Co-Produzent : Taym Ivonne
執行製片人 : Adela Tisha
監督藝術總監 : Quianna Negra
產生 : Advik Chuma
Hersteller : Tesnime Calise
演员 : John Liina
Film kurz花費 : $314,617,165
收入 : $016,916,704
分類 : 隔離戲劇紀錄片 - 謙虛, Bows En Ciel - 母親驕傲的啟示無神論者, 好極了船 - 武術
生產國 : 科威特
生產 : thinkfilm
Frozen 2013 粵語 線上
《2013電影》Frozen 完整電影在線免費, Frozen[2013,HD]線上看, Frozen20130p完整的電影在線, Frozen∼【2013.HD.BD】. Frozen2013-HD完整版本, Frozen('2013)完整版在線
Frozen 埃斯特（數學）瑣事-社會主義 |電影院|長片由 Promenade圖片和地形學Fersen Zina aus dem Jahre 1996 mit Love Shaï und Allyson Jovana in den major role, der in Abel Studios Group und im YouTube 意 世界。 電影史是從 Raulet Sanusi 製造並在 Silex Films 大會巴西 在 20 。 七月 1998 在 24。 一月2007.
冰雪奇緣 維基百科，自由的百科全書 ~ 《冰雪奇緣》（英語：Frozen）是一部2013年以電腦動畫技術製成的音樂奇幻喜劇3D電影，迪士尼動畫製作迪士尼電影公司發行5的第53部迪士尼經典動畫長片，改編自安徒生童話的《冰雪女王》。電影描述了一位勇敢的公主，在一個採冰人和他忠誠的馴鹿以及一個
魔雪奇緣2 維基百科，自由的百科全書 ~ 《魔雪奇緣2》（英語：Frozen II，中國大陸、馬新、台灣譯《冰雪奇緣2》）是一部2019年美國3D電腦動畫歌舞奇幻電影，迪士尼動畫製作迪士尼電影公司發行的第58部迪士尼經典動畫長片，為2013年電影《魔雪奇緣》的續集。電影由基斯·畢克和珍妮花·李共同執導
冰雪奇緣：驚喜連連 維基百科，自由的百科全書 ~ 《冰雪奇緣：驚喜連連》（英語：Frozen Fever），是2015年的一部美國電腦動畫歌舞奇幻短片，由華特迪士尼動畫工作室製作、華特迪士尼影片發行。本短片是2013年動畫電影《冰雪奇緣》的續作，講述艾莎在阿克、小斯和雪寶的幫助下為安娜籌辦生日派對的故事
艾莎 迪士尼 維基百科，自由的百科全書 ~ 「我們在想像，被逐出王國時會是什麼樣的情形？這時你要拋開所有熟悉的東西和所愛的人，但也還有那極妙的解脫——你終於可以釋放一輩子都在苦苦隱忍的事物了。」 — 克莉絲汀·安德森羅培茲談論自己編寫艾莎之曲《放開手》時的心得、以及讓她從反派變正角的選擇 31。
冰雪奇緣2 原聲帶 维基百科，自由的百科全书 ~ 《冰雪奇緣2：電影原聲帶》（英語：Frozen 2 Original Motion Picture Soundtrack）是迪士尼2019年動畫電影《冰雪奇緣2》的原聲帶專輯，由克里斯汀·安德生洛佩兹和勞勃·羅培茲編寫，克里斯多福·貝克配樂1。迪斯可癟三、凱西·瑪絲葛蕾和威瑟樂團提供三首額外的
雪寶的佳節冒險 維基百科，自由的百科全書 ~ 《雪寶的佳節冒險》（英語：Olafs Frozen Adventure）是一部於2017年上映的美國3D電腦動畫歌舞奇幻短片，由華特迪士尼動畫工作室製作，華特迪士尼工作室電影發行。由凱文·德特斯與史提夫·維莫斯（英語：Stevie Wermers）共同執導，喬許·蓋德、克莉絲汀·貝兒
魔雪奇緣世界 维基百科，自由的百科全书 ~ 魔雪奇緣世界（英語：Arendelle World of Frozen）是香港迪士尼樂園及華特迪士尼影城一個以賣座動畫「魔雪奇緣」為主題的園區，亦是東京迪士尼海洋中「夢幻泉鄉」的一部分。
冰雪奇緣 原聲帶 维基百科，自由的百科全书 ~ 《冰雪奇緣：電影原聲帶》（英語：Frozen Original Motion Picture Soundtrack）是迪士尼2013年動畫電影《冰雪奇緣》的原聲帶專輯，收錄了10首由克里斯汀·安德生洛佩兹和罗伯特·洛佩兹譜寫的原創歌曲，以及22首由克里斯托弗·贝克作曲的配樂。專輯中的《Let It Go
Anna 電影 維基百科，自由的百科全書 ~ 本頁面最後修訂於2019年10月27日 星期日 1801。 本站的全部文字在共享創意 姓名標示相同方式分享 30協議 之條款下提供，附加條款亦可能應用。 （請參閱使用條款） Wikipedia®和維基百科標誌是維基媒體基金會的註冊商標；維基 是維基媒體基金會的商標。
冷若冰霜 维基百科，自由的百科全书 ~ 《冷若冰霜》（英語：Frozen）是美國女歌手瑪丹娜1998年2月份發行的歌曲，為她第七張錄音室專輯《光芒萬丈》（英語：Ray Of Light）當中首支主打單曲，〈冷若冰霜〉在美國告示牌單曲榜最高成績為第2名1，在英國單曲榜則空降冠軍。
